Veteran singer-songwriter Jose Mari Chan has clarified that his recent comments about no longer receiving “royalty checks” referred only to earnings from physical music formats such as CDs, cassette tapes, and vinyl records—not to all royalties generated by his music.
The clarification comes after Chan’s remarks during the media conference for his upcoming concert, Afterglow: Seasons of the Heart, scheduled on July 11 at the Philippine International Convention Center (PICC). His statement sparked online discussions, with some interpreting it to mean that he no longer earns royalties from his songs.
According to Universal Records Managing Director Kathleen Dy-Go, Chan was specifically referring to the steady decline in royalties from physical album sales as the music industry has shifted to digital platforms.
“We would like to clarify that Mr. Jose Mari Chan was referring specifically to royalties from CDs, cassettes, and vinyl records,” Dy-Go said. “As physical music formats have gradually declined over the years, so have the royalties associated with those sales. His statement should not be construed to mean that he no longer receives royalties from his music altogether.”
Dy-Go explained that while physical record sales are no longer the primary way people consume music, artists continue to earn royalties through various channels, including digital streaming services, music publishing, synchronization licenses, public performances, and other authorized uses of their recordings, depending on the terms of their agreements.
“The music industry has evolved significantly over the years,” she added. “Today, artists have multiple revenue streams beyond physical album sales, including streaming platforms, publishing rights, licensing, and other royalty collection mechanisms. Mr. Chan’s comments were simply referring to one specific source of royalties that has naturally diminished with changing consumer behavior.”
Chan made the remarks while reflecting on how the music business has transformed throughout his decades-long career—from an era dominated by vinyl records, cassette tapes, and compact discs to today’s digital-first landscape.
Known for timeless hits such as Beautiful Girl, Can We Just Stop and Talk Awhile, and the enduring Christmas classic Christmas in Our Hearts, Chan remains one of the Philippines’ most celebrated recording artists. His music continues to reach generations of listeners through both traditional and digital platforms.
The clarification aims to dispel any misunderstanding surrounding Chan’s comments and emphasizes the distinction between royalties from physical album sales and those generated through today’s broader music ecosystem.
